MAHOMET, Cassim
Service Number: | 7036 |
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Enlisted: | 27 October 1916, Adelaide, South Australia |
Last Rank: | Private |
Last Unit: | 10th Infantry Battalion |
Born: | Wee Waa, New South Wales, Australia, 24 July 1896 |
Home Town: | Iron Knob, South Australia |
Schooling: | Not yet discovered |
Occupation: | Acrobat, Singer, Songwriter and Vaudeville Artist |
Died: | Natural causes, Aukland, New Zealand, 16 November 1955, aged 59 years |
Cemetery: |
Waikumete Cemetery & Crematorium, Auckland, New Zealand Service Persons Area K, Row 5, Plot 27 |
Memorials: | Iron Knob WW1 Roll of Honour , Iron Knob War Memorial |
World War 1 Service
27 Oct 1916: | Enlisted AIF WW1, Private, 7036, Adelaide, South Australia | |
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16 Dec 1916: | Embarked AIF WW1, Private, 7036, 10th Infantry Battalion, --- :embarkation_roll: roll_number: '10' embarkation_place: Adelaide embarkation_ship: HMAT Berrima embarkation_ship_number: A35 public_note: '' | |
16 Dec 1916: | Embarked AIF WW1, Private, 7036, 10th Infantry Battalion, HMAT Berrima, Adelaide | |
2 May 1920: | Discharged AIF WW1, Private, 7036, 10th Infantry Battalion | |
Date unknown: | Wounded 7036, 10th Infantry Battalion |
Story: Cassim Mahomet
Cassim ‘Cass’ Mahomet (also Kassim Mahomet) (7036), who signed up at the age of 21 years 3 months, was born in Wee Waa, New South Wales. His occupation was listed as vau-deville artist. His Indian parents, father Abdul and mother Ashibibi (‘Harsharby’) were from Madras, India. He took his place in a family of circus performers who had migrated to Aus-tralia in the 1890s. Cass was described as ‘a most interesting personality’ and known as a popular artist of that time, a tenor singer, songwriter, acrobat, raconteur, seer/illusionist, fire-eater, author, troupe proprietor, producer, entrepreneur and administrator. Although best known around Australia as the ‘Indian Digger’, he was also called ‘Mahomet the Seer’, the ‘Rajah of Entertainers’, and the ‘Son of India’. To his fellow Australians, the artistic work of Cass had an even greater appeal due to the fact that he was one of the original 10th Battalion, AIF., which took part in the Gallipoli landing. Thereafter, he was also destined to serve on the Western Front where he was also part of the 3rd Brigade Concert Party.
Cass enlisted in Adelaide on 27 October 1916 and served in the 10th Battalion AIF, holding ranks of Private and Sergeant Major. The date of his embarkation from Australia was 16 October 1916, and the date of his return was 7 February 1920. Cass left behind his memoirs with a number of stories that he wrote about his struggle to enlist in the AIF. Once he joined the army, his first challenge occurred in the military camp. Before having his first meal in camp he explained his dietary requirements, informing the cooks that he was a Muslim and so did not eat pork – ‘so, that was all right, as I always managed to get some-thing else’, he wrote. Cass was not going to eat pork. It was against his will. However, things would change on the same day he embarked from Adelaide on the Berrima. Because the meals for breakfast and dinner had pieces of pork, he tells, that he had to live off ginger bis-cuits that he bought from the canteen, although he says, ‘I eventually became as weak as French beer.’ When he appealed to the chaplains, he was told, ‘Well, it’s war’. Cass tells us that he resorted to beer on an empty stomach so that eventually he ‘forgot’ what was served on the plate.
The Berrima voyaged around Africa with stopovers in Durban and Sierra Leone heading to England. These stops introduced Australian soldiers to exotic places and people which they judged according to their Australian experiences. At Durban, Cass was made a Corporal of the Guard for duty on the rotunda at Durban Park. There he met the native Africans who misperceived him as an Australian soldier. From men and women of his own colour he en-dured abuse and spit. For them, a man of colour in the AIF was unthinkable and ‘their abuse ended suddenly when I thumped one of my tormentors under the ear’. At Sierra Leone, the local people in their sea vessels came over to the Australian ship’s side with supplies of fruit. In contrast to a previous experience, this time he met other Africans and experienced pleasant encounters. One of the locals picked him out and Cass tells us he was happy to be the seller’s agent: ‘I hauled up the fruit for the lads and sent the money down in the basket. I finished the day with my kit bag full of fruit. Every time the native sent up a dozen fruit, he would add four – ‘two for me and two for King George’. This act of kindness by the Afri-cans brought an unexpected joy to Cass and his comrades.
While in England, Cass and his troops were sent to Lark Hill Camp, Salisbury Plain, where for the church parade on first Sunday, all the Diggers were busy sorting themselves out ac-cording to their particular denominations. Cass stood aside and suddenly all eyes were on him as the military commander [RSM] came over to him and asked: ‘What’s up with you?’ Cass, did not hide his faith, and replied that to go to the nearest Woking Mosque in London would require two days leave for travel. He maintained his stand and did not attend a church. Whether he went or not to the mosque, it was such a rare request by a ‘lonely’ Muslim to expect such leave to be approved by the officer.
In France, the RSM picked him and two Aboriginals out to give them the task of becoming snipers. Cass asked the instructing Corporal why he had been chosen for this task, to then be told that ‘All you aborigine boys have a great sense of seeing, hearing and smelling’. His reflection on this event, tells us how he confronted the contradictory ambiguities of his standing. First they knock a man back at enlistment ‘because they reckon he is a native’; and when he joined the army ‘they shove him out in front of all the others’. The thought of being a sniper didn’t appeal to him; he was out for promotion. While still in France, in Strazeele, Cass was given a job to be an escort for two prisoners, and tells a story that demonstrated his compassion and goodwill, especially when it came to matters related to his dark skin colour: ‘On the way one of them started to cry, while the other had the wind up properly’. Being a black among a lot of white comrades, the prisoners thought that he was to be their executioner. ‘I was very insulted in doing further as an escort, so ‘I let them find their own way back to our cage’.
On behalf of members of his battalion, Cass acted as a ‘correspondent’, writing to Sydney’s Referee newspaper. From the Western Front, he asked its editor, who published sporting re-sults, to send copies. Cass thought to drop a line to inform the editor that ‘quite a crowd of my battalion would be very thankful for a few copies.’ ‘The good Ref is enthusiastically looked for by all the boys; so, you can guess what The Referee would mean to us’, he wrote. Soon he received the requested copies, they were ‘eagerly scanned by all ranks’. He also informed The Referee that during the voyage his battalion had quite a number of boxing contests. Although they were thoroughly enjoyed by all and helped to break the monotony of the long trip – ‘we never unearthed any champions’.
Cass was a well-known character among the troops on the Western Front. By war’s end, he had risen to the rank of Sergeant Major, serving in the line with the unit right through to the Armistice. In time, between performing military duties, his artistic skills were recognised as valuable by his comrades. The life of soldiers in camp was one of never-ending hours of military routine, roll-call, drilling, walking a post or picket duty, and every day eating the same food. Cass with his artistic skills brought to his comrades a ‘creative break of monot-ony’. Having an opportunity to work in the army ensembles, such as the Marching Band or the Concert Band, Cass maintained a spirit of good humor and sang songs that never failed to inspire soldiers as they waited to take part in the next ‘push’. Right up until the end of fighting, he organised and participated in concert party entertainment in France, England and Belgium, often giving battalions a one-man concert. One of his concert parties featured ‘The Boomerangs’, which became popular on the Western Front. His mates also claimed Cass performed regularly closer to the front line.
This contribution made Cass a popular identity not only among Australian soldiers, but also among those in Allied ranks, allowing him to claim to have entertained over a million sol-diers while with the AIF. During the war, Cass had interesting encounters with the French and with Belgians, probably because he could tell them interesting stories, specially tailored for the people he was entertaining, such as his tale that he had come 14,000 miles ‘to fight for their particular village and intended to carry on till we win the war’. Some of his con-certs would also be held for the refugees in Belgium, France, and Flanders. After the Armi-stice, he was for five months in charge of brigade concerts in Belgium, also appearing indi-vidually at civilian theatres and cabarets. In England, he organised soldiers’ concerts for headquarters and camps including one performance that featured ‘The Gum Leaves’ and he stayed for seven months on this job. One of the last performances was given on the estate of the Duke and Duchess of Somerset.
Cass departed England for Australia on the SS Königin Luise in December 1919, with his record as a soldier of good renown and as a producer of a concert company and orchestra of thirty-three men, some of them sergeants and corporals. Arriving in Australia on the 31. 1. 1920, he remembered his sad homecoming, ‘My mother had died and my father was killed in an accident, and before I returned, the home had vanished’. On returning to civilian life in Australia, Cass always remembered his experiences with Australian soldiers in the AIF:
‘the finest chaps on God’s earth’, he said, adding that ‘colour or creed made no difference in the AIF’.
He was critical of the White Australia Policy; his war time experiences helped him make the case for a White Australia somewhat irrelevant. ‘Surely, the digger who is so hurt does not want to see another digger starve because he happens to be coloured’, said Cass. His colour had not prevented him from fighting in the trenches, or even mingling among white people in England, Scotland, Wales, Belgium, France, and also in Australia. He concluded, ‘Certainly, it should not bar me from earning an honest living in the land that I offered my life for.’
Cass was discharged on 2 May 1920. He was issued with the 1914-15 Star, the British War Medal and the Victory Medal. After serving in the army, Cass Mahomet toured the world and promoted Australia wherever he performed, often in uniform with his battalion’s col-ours on display – he entertained audiences in New Zealand, England, Scotland, Wales, France, Belgium, South and West Africa, Egypt, Ceylon, Malaya, Java, Borneo, Philippines, Hong Kong and China. There were concerts, theatrical shows and also parties. He was the composer of about forty-five songs, many of which have become popular across Austral-ia, including Anywhere in Aussie and Australia for mine!, composed by W.E. Naunton in the 1920s. His repertoire of patriotic songs were a great success resulting in many en-cores. A few lines of his poems said:
Far away from home, I don’t rave about places,
But, I say, there is Australia my home
I am thinking of it every day and night,
Not another possie
like dear old Aussie...
Anywhere in Aussie for mine!
Travelling and performing his art to New Zealand he met a New Zealand woman of the Arawa Maori tribe, Ina Clayton, a dancer. They both became two of the most popular members of the sideshow fraternity at the Christchurch Show. They married in 1936 at St Barnabas Anglican Church in Sydney. From the mid-1930s up until a few years before his death, Cass contributed letters and articles to Reveille, a magazine published by the New South Wales branch of the Returned Sailors and Soldiers’ Imperial League of Australia. He died, aged 61, on the 16. November 1955 and was given a soldier’s burial on the 21st November at Auckland, New Zealand.
From the book:
Dzavid Haveric, 'A History of Muslims in the Australian Military from 1885 to 1945: Loyalty, Patriotism, Contribution’, Cambridge Scholars Publishing, London, 2024
Submitted 16 April 2025 by Dzavid Haveric
Biography contributed by Robert Kearney
"REFEREES WANTED
Cassim Mahomet, a well-known circus identity, in Australia, writes from a Blighty-bound trooper as follows:—
"Being a constant reader of the good old Referee, I thought I would drop you a line to inform you that quite a crowd of my battalion, would be very thankful for a few copies from your many readers. I can assure you the good old Ref. is eagerly looked for by all the boys. The wireless doesn't give us the results of Saturday night fights in Sydney, Melbourne, or Brisbane, so you can guess what The Referee would mean to us. Before enlisting I was a member of the original Mahomet Troupe, who arrived in Australia with Abel and Clair's big three-ring show quite a while back. Any papers sent by your readers, if they are forwarded to the address below, will be distributed all round — No. 7036, Lance'-Cpl. Cassim Mahomet, 23rd Reinforcements, 10th Battalion, A.I.F., On Active Service.
P.S.— During the voyage we had quite a number of boxing contests. Although they were thoroughly enjoyed by all and helped to break the monotony of the long trip, we never unearthed any champions'." - from the Sydney Referee 18 Apr 1917 (nla.gov.au)
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"The Referee in France
Cassim Mahomet of the 10th Battalion, A.I.F., writes from Somewhere in France (20/6/'17): 'A line to let you know that my appeal through the theatrical columns of your valuable Referee, asking some of your many readers to send along any copies of the Referee, has met with a ready response. Immediately after the appeal appeared a score or more Referees were posted me. And I am pleased that most of the senders have stated their intention of forwarding copies every week. So you can just imagine that there's going to be quite a rush for Referees when the next mail bag arrives. It certainly is the paper the boys always look forward to. The copies we have just received are being eagerly scanned by all ranks. It pleases us to know that the folks left at home are always willing to do anything to comfort us. It would take quite a long while to write and thank the senders personally, and I ask you to kindly thank each and every one of them through your columns (which I notice have been the cause of more than one soldier being comforted by appeals appearing in them).
We had a great trip from Ausie to Snowland, and arrived in the land of snow, sleet and slush. The trip was very calm, and we were lucky to escape all the dust storms. After two months' training in Snowland we sailed across here to the old Song and Dance (France). Along with the rest of the boys we are keeping Fritz on the move and doing the goose step. Boxing and vaudeville are well represented over here by pugs, and pros, from all States of Australia. We have clubbed together in different parts of Snowland and France and put up quite a few shows for the amusements of the troops. I saw Johnnie Summers about a month ago at a vaudeville and boxing night, and he looks well. But I am afraid he is a little too fat. Wishing you and the good old 'Yellow 'Un' the best of luck'." - from The Sydney Referee 05 Sep 1917 (nla.gov.au)
Biography contributed by Steve Larkins
Cassim Mahomet (1896-1955)
Australian-born singer (tenor), songwriter, acrobat, raconteur, seer/illusionist, fire-eater, author, troupe proprietor, producer, entrepreneur, administrator. Cassim Mahomet was a truly remarkable personality of his time. The son of Indian circus performers who came to Australia in 1894, he served in the AIF during WW1 and had a long and successful career in a range of entertainment fields and he was an enthusiastic and regular contributor to publications such as 'Reveille' (NSW RSL) and 'Referee'.
The AWM lists his birthdate as 24 July 1896, although there seems to be some conjecture around this date in secondary sources particularly in the Australian Variety Theatre Archive: Research Notes. Contradictory information appears in a number of documents, in respect of both his birth and death in 1955. One source lists his place of death as Gladesville NSW but it is apparent that he died in Aukland New Zealand while touring with his wife on 16 November 1955.
Cassim Mahomet claimed to have made his public debut at age four or five. He and his younger brother Hussen are recorded as working as acrobatic duo for several circuses in 1912. Cassim gradually moved into vaudeville, possibly making his variety debut at Melbourne's People's Concerts in 1913 with Fred Brown (as Mahomet and Brown). Between 1916 and 1919 he served with the Australian Imperial Forces (AIF), and as a result was thereafter known to Australians as "the Indian Digger." Rarely unemployed for long during his career, he also worked in radio and appeared in Pat Hanna's 1933 film Diggers in Blighty. Mahomet promoted his wife "Ranee" (a stage seer) from the mid-1940s onwards.
Mahomet's other sibling was a sister named Jane (ca. 1901-). Hussen was born ca. 1903. In correspondence with the AVTA, Mahomet's great-nephew, Charles Prasad, identifies their parents as Abdul and Ashibibi Mahomet.
Interestingly, Cassim's enlistment papers record his mother's given name as "Harsharby."
According to Prasad, Abdul Mahomet's brothers were Aramac and Chenanna. "Hyperbad, India was their hometown," he further notes. Abdul and Ashibibi both died while Cassim was serving overseas with the A.I.F.
The Abell and Klaer tour ended in Melbourne due to financial difficulties. Mahomet's parents either decided to or were forced to remain in the country. Abdul is believed to have continued to work in various entertainment formats over the next two decades, while also subsidising their income with alternative work. Cassim records that he began appearing on stage with his father from age four or five. The pair often found work, for example, doing acrobatics at boxing events.
As a circus acrobat, Cassim is also known to have toured with both the Bibby Brothers and Raphael Brothers circuses. His partner in the Mahomet and Brown act was former circus acrobat Fred Brown (aka Frederico).
Mahomet recalls having some trouble in his first three attempts to enlist. At Port Pierie, South Australia he was declined because the officers thought he was aboriginal and in Adelaide he was mistaken for being an enemy subject. "I guess he took me for a Turk," writes Mahomet. In his memoir he further recalls:
Time went on. I gave up my profession as an acrobat and left the circus I was with, going to work in the ironstone quarries at Iron Knob.
I started an amateur concert party, proceeds of which went to the All-British League –the sponsors of a fund farewelling soldiers. Each week I farewelled a mate or two who had enlisted, so I wrote a pleading letter to Currie Street recruiting depot, which sent back a telegram, 'Come and enlist.'
So that weekend I set out for Adelaide, but broke my journey in Snowtown, where, at the showground, there was a huge crowd in front of the circus. Not one among them would accept the challenge to ride the outlaw, 'Moonlight.' Playing the part of a stranger to the circus, I accepted the saddle and went in. Result: a packed house. 'Moonlight' gave me a total eclipse. I arose with a broken hand, and a kindly old doctor there set it buckshee.
At Adelaide I was outed for six weeks. When the hand was right I presented myself again at Currie Street. Many of the officials were anxious to see the fellow who was once taken for an aborigine then a Turk. During the examination the MO said, 'Hop up there on your left leg and back on your right.' I hopped up on my left leg, then did a round of flip flaps and a back somersault, landing about two feet from the MO's table. He said, 'Why didn’t you do that at first? It would have saved a lot of trouble.'
Mahomet's enlistment was apparently against the wishes of his parents. In so doing he one of a small group of Muslim men to serve with the AIF. But it is evident that he was certainly the best known. After departing Australia he spent time in Egypt, France and England. As a member of the 10th Infantry Battalion he fought as a rifle grenadier. Len Kenna and Crystal Jordan further note:
His regimental number was 7036 and he was assigned to the 23/10th Battalion. Private Mahomet embarked on the "Berrima" on the 16th December 1916 from Adelaide, destined for France and in May 1918 was part of the 3rd Brigade, Concert Party that entertained the troops in France and England... Mahomet was awarded the British War Medal and Victory Medal.
During the spells out of the line [Mahomet] successfully organised many concert parties, and one of them, "The Boomerangs," became well-known on the Western Front. The original members of that company claimed to have performed regularly closer to the front line than any other - to wit, at Confusion Corner - and they suffered their share of casualties, too.
The Indian was well-known in the 1st Division, often giving battalions a one-man concert, sometimes without even an accompanist. By war's end Mahomet had risen to the rank of Sergeant Major. After the Armistice he was placed in charge of the brigade concert party at Chatelet, Belgium, for some five months. While there he also performed in some civilian cabaret shows produced by local thespians. Mahomet was then transferred to the Australian Command Deport and No 1 Australian General Hospital at Sutton Veny, Wiltshire.
Of this time he recalled: Arriving in England after the Armistice, I accepted an offer to organise a concert party for headquarters and stayed for seven months on this job. I formed the last soldiers' concert party: 'The Gum Leaves.' We appeared at regular intervals in the provinces, and in camps. One of the last performances was given on the estate of the Duke and Duchess of Somerset.
(extract from Perth's Western Mail - 1930)
For comprehensive coverage of this remarkable man's post-war life - see this link http://ozvta.com/practitioners-m/ (ozvta.com)